Latest News

Tapiola celebrates with Olli’s new work

The Tapiola Chamber Choir will celebrate its 30th anniversary in late 2014 with Olli’s new a cappella work The Return, based on a poem by Wendell Berry.

Commissions for Naantali and Tampere

Olli’s been commissioned to write a large-scale sacred work by the Church of Finland to be premiered in Naantali in June 2017. The Tampere Hall and the Tampere Opera will host the world premiere of Olli’s and librettist Tuomas Parkkinen’s new opera in March 2018, commemorating the battles of the Finnish Civil War in Tampere in 1918.

Seven Songs for Planet Earth: Finnish premiere on September 13

Olli’s symphonic cantata Seven Songs for Planet Earth which received its world premiere in Washington DC in May 2011 was performed by the Tampere Philharmonic Orchestra and Chorus, along with the Pirkanpojat boys’ choir. The soloists will be Tuija Knihtilä and Aarne Pelkonen, and the performance will be conducted by Jani Sivén.

Commission for Minnesota

Osmo Vänskä and the Minnesota Orchestra have commissioned Olli to write an orchestral work for the autumn 2014 season. It is to be scored for mezzo-soprano, symphony orchestra and male choir and the theme will be immigration.

“An opera for the future” – One Night Stand reviewed by Opera Now

“Taking such a relevant and insightful libretto about the ills of our time 
(which could easily stand on its own as a play) and turning it into a 
successful opera was a challenge which Olli Kortekangas met. His music 
not only added depth, breadth, and feeling to the opera, but emotional 
heft to the characters: you really cared what happened to these kids. 
Drawing inspiration from a variety of musical and operatic genres, he
 skillfully navigated through a sea of diverse vocal waters, from grand
opera arias and dynamic coloratura, Greek Chorus-like recitative 
(speaking snippets of cell phone conversations) to cabaret, Broadway 
musicals, tango music, and modern jazz.
This is a 21st century opera that speaks to a 21st century audience in 
its language and music. It is fast-paced, almost chaotic in places, 
and so relevant for today’s youth that it promises to bring down the
 average age of the typical operagoer by 30 years. This is an opera for 
the future.”
(Karyl Charna Lynn, Opera Now, December 2011)